Northern lights ola gjeilo translation
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Ola Gjeilo Northern Lights (1978) Ubi caritas. Then counting it.here comes something new, they are 24! notes and in some cases 25! Holy Thursday UBI CARITASOfficial English Translation (Roman Missal, 3rd Edition)MASS OF THE LORDS SUPPER. įirst I listened to it it really reminded me of birds and how can it be otherwise it's very similar. Mar 26, 2009Pulchra es amica mea Ensemble La Fenice, Jean Tubry Duration: Pulchra es Monteverdi Vespro. Upload gif from urlha, very interesting reflection. Blog Home Behind the Scenes, Choirtap, Program Notes, Staff Posts Ola Gjeilo on the Northern Lights. Our brother/sisters in the natural world reassure us at a very fundamental level. I am leaning towards the song/call of the bird-death is perfectly natural and beautiful. I would like to hear what the music played by the flute sounds like to you? I am still not sure. I think I will use this cantata as part of my celebration of the Feast of All Saints and Souls from 31 October-2 November. When I listen to this cantata I first and ultimately hear joy. The following cantata is to be performed on the 16th Sunday after Trinity Sunday in the Lutheran Liturgical Year, this year that was 11 September. October and the first two days of November are such unbelievably powerful reminders of the Eternal. Philippe Herreweghe, Collegium Vocale Gent, Mark Padmore Thou takest e'en my flesh and this my body,Įnough, that there I rich and blest shall be.īach Cantata 8 BWV 8 Liebster gott, wenn werd ich sterben? Transfigured in glory to Jesus I'll come. Norwegian composer and pianist Ola Gjeilo presents a stunning collection of brand-new original works for solo piano, composed and performed by Gjeilo himself.
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My Jesus doth call me: who would then not go?Īppear to me, blessed, exuberant morning, So yield now, ye foolish and purposeless sorrows! Why wouldst thou then, my soul, be frightened verse 6, the final verse, of the hymn.Ģ4 September 1724, Leipzig transposed from E Major to D Major for a performance in the 1740's. Caspar Neumann, verse 1 of the hymn, 1697 2-5. Philip AmbroseīWV 8 Liebster Gott, wenn werd ich sterben?ġ. At you can find incredible pictures of the aurora borealis phenomenon, pictures that also greatly inspired this piece.Translation of BWV 8 Liebster gott, wenn werd ich sterben? by Z. Northern Norway is one of the areas where aurora borealis is easiest to spot, thanks to the warming effects of the Gulf Stream, which makes the area habitable. It is one of the most beautiful natural phenomena I’ve ever witnessed, and has such a powerful, electric quality that must have been both mesmerizing and terrifying to people in the past, when no one knew what it was and when much superstition was attached to these experiences. Looking out from the attic window that Christmas in Oslo, over a wintery lake under the stars, I was thinking about how this ‘terrible’ beauty is so profoundly reflected in the northern lights, or aurora borealis, which, having grown up in the southern part of the country, I have only seen once or twice in my life. About a ‘terrible’, powerful beauty, although the music is quite serene on the surface. Most of all, this piece and its text is about beauty. Ola’s albums include Ola Gjeilo on the Decca Classics label, a portrait of his choral and piano works featuring Tenebrae and Voces8.
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He is currently composer-in-residence with Voces8 and DCINY.
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He served as composer-in-residence with the Grammy Award-winning Phoenix Chorale, which. This 2012 CD includes almost all of his published works for mixed voices to date. is my home now, so I guess my work has been increasingly reflecting my love for American music, writing and scenery. Ola Gjeilo was born in Norway in 1978, and moved to the United States in 2001 to begin his composition studies at the Juilliard School in New York City. Norwegian composer Ola Gjeilo, born in 1978, received his training at Juilliard and has made New York his base of operations. “Northern Lights is my most Norwegian production in years composed in an attic outside of Oslo at Christmas time in 2007, it’s one of the few works I have written in Norway since I moved to New York in 2001. Set to the Latin Pulchra Es text from Song of Solomon, the music is also inspired by the ethereal aurora borealis phenomenon, or northern lights.